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“And I made them the leads instead of the sidekicks, because that is what I did in my own life.” “I only wrote or created shows that I really wanted to watch, so they inevitably had gay characters and trans characters and minorities,” he says. The feedback did not cause him to deviate from his vision. And, difficult though it may be to recall, there once was a time when – rather than the man who, last February, signed a whopping $300m deal with Netflix – he was “somebody who couldn’t sell a script and was being told that everything I did was too gay or too out-there”. “The medications that have helped stop the plague, the holocaust, came out in 1996, so I hope to end the show right as that happened, to really show the decimation of a world.”Ī self-declared “gay kid from Indiana who moved to Hollywood in 1989 with $55 in savings in my pocket”, Murphy has always been drawn to the margins. “I was interested in the idea of a community in crisis and under siege,” says Murphy, who is also directing today’s episode. Photograph: Michael Parmelee/FX/Kobal/REX/Shutterstock
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Murphy’s 2018 mega-deal with Netflix sealed his title as “the most powerful man in TV”, but he has earned his crown creating groundbreaking shows both about and starring people whom TV has traditionally ignored. We are on the set of Pose, Murphy’s flamboyant drama (co-created with long-term collaborator Brad Falchuk) set in the New York underground ballroom scene of the late 1980s, and his latest bid to capture the zeitgeist through a story from the recent past. In the middle of it all, underneath the biggest disco ball imaginable, is powerhouse television hit-maker Ryan Murphy. Elsewhere, lithe dancers in garish-glamorous leisurewear languidly limber up, presided over by MC Pray Tell (recent Emmy winner Billy Porter), in an extravagant ensemble befitting a pearly king. Statuesque, extravagantly coiffed figures strut about the corridors in wigs, sequins and retro block-colour suits. Step inside the squat, utilitarian collection of buildings, however, and it’s a very different story. I t is a rainy Friday morning on an unprepossessing street in the Bronx.