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Describing the full scale of this destruction and suffering is impossible. The delayed effects of radiation killed at least another 160,000 in the years to come, and starvation and suicide surely took thousand more lives. dropped on Nagasaki 3 days later, exploded over a Catholic enclave on the outskirts of the city-the largest Christian community in Asia-and killed 70,000 people. dropped on Hiroshima on August 6, 1945, unleashed 1000 mph winds that were heated to an estimated 9000☏, and killed 140,000 people. (Of course, he would have gotten the same answers on any street corner in the U.S.) Okazaki intends for the film to serve the purposes of what Alessandro Portelli would call a historical intervention against this collective act of massive amnesia. Asked, "Do you know what happened on August 6, 1945?" fashionable young Japanese consumers giggle and answer, "I don't know" over and over again. Seventy-five percent of Japan's current population was born after August 1945, he tells us, and hammers home the need for his film with a series of dunce-on-the-street interviews. Okazaki opens with images of contemporary Hiroshima and Nagaski. There are no experts, no talking heads in the film, just survivor narratives interspersed with newsreels, searing images created by the survivors, and historic film footage, some of which was suppressed for decades by the U.S.
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How to relate the horror of the Hiroshima and Nagasaki bombings? Who can tell the story? Director, producer, and editor Steven Okazaki, a Japanese American, has survivors tell the story in his documentary film, White Light/Black Rain: The Destruction of Hiroshima and Nagasaki.